In this chapter, set about a year after Louis XVIII's restoration, the story focuses on Edmond Dantès, who is languishing in a dungeon, deeply isolated and despairing. The narrative begins with Dantès hearing faint noises from above, signaling that something unusual is happening. These noises are the sounds of preparations for a visit by the inspector-general of prisons, though Dantès, detached from the outside world, initially dismisses their significance.
The inspector-general, during his rounds, visits several prisoners who complain about the poor food and their longing for freedom. However, the inspector remains detached, viewing the visit as a mere formality. When he inquires about the more dangerous prisoners, the governor leads him to Dantès, warning that Dantès is considered particularly dangerous and even mad.
As the inspector enters Dantès’ cell, Dantès, realizing this might be his only chance to appeal to a higher authority, desperately pleads for a trial to prove his innocence. He explains how he was arrested on February 28, 1815, and has since suffered in ignorance, not knowing the fate of his loved ones or the reason for his imprisonment. The inspector listens but offers no promises, though he expresses some sympathy for Dantès, suggesting that he might investigate his case.
Following this, the inspector visits another prisoner, the Abbé Faria, who is considered mad by the prison authorities because he believes he possesses knowledge of a vast hidden treasure. Despite his madness, Faria speaks with a strange clarity and offers the inspector a share of his treasure in exchange for his freedom. However, the inspector dismisses Faria’s claims as delusional.
After the visit, Dantès, now clinging to a fragile hope sparked by the inspector's words, begins marking the days on the wall of his cell to track the passage of time. However, as months pass with no word or change in his situation, his hope fades. Eventually, a year after the inspector's visit, the governor of the prison is transferred, and with him, Dantès’ jailer. The new governor, unfamiliar with the prisoners, reduces them to mere numbers, stripping Dantès of his identity entirely as he is now referred to only as "Number 34." This dehumanizing act marks another layer of Dantès’ despair, highlighting the cruel and indifferent nature of his captivity.